Counterculture: 1970s continued

Jeans and message tees, 1970s

 

Jeans and graphic (and band) tees, 1970s

Jeans and message tees, 1970s

 

The Runaways, 1970s

The Runaways and graphic tees, 1970s

Some of the popular message tees of the 1970s

“The Spirit of 76”

 

“I’m with stupid”, 1970s

“Let the good times roll”, 1970s

 

“Good girls go to heaven, Bad Girls go backstage.”

“Loose Love”, 1970s

 

“People for the Planet”, 1970s

“Bring on the sunshine”, 1970s

 

“Moon Swoon”, 1970s

“Grow your own way”, 1970s

 

“She’s sunshine mixed with a little hurricane”, 1970s

“Peachy”, 1970s

 

“Livin in the 70s”

“Love More”, 1970s

 

ACDC “Blow up your video”, 1970s

“Scooter Hussie” and “There’s no life like low life”, 1970s

 

“We don’t care how the hell they do it in Japan”, 1970s

Blondie. “Camp Funtime”, 1970s

 

Blondie. “Doctor X”, 1970s

Blondie. “Property of Alcatraz State Penitentiary. Unlisted Number.” 1970s

 

Blondie. “Andy Warhol’s Bad”, 1970s

“Led-Zeppelin United States of America 1977”

 

The Ramones. “American Bluejackets” and other logo tees, 1970s

The Rolling Stones’ Tongue logo tee. 1970s

 

The Rolling Stones’ Tongue logo tee. 1970s

The denim skirt, and the evolution of denim styles in the 1970s

The denim skirt was born in the ‘70s as a way to recycle damaged denim in the awakening of the back to the land, environmentally conscious consumer- in all lengths from a take on the 60s mini to the ankle length bohemian cut with raw hems.

The silhouettes started to get more varied too, from the looser fitting flares of 1969 to more fitted in the waist but also lower rise in the ‘70s flowing out into bell-bottoms in ’72 to the elephant bells of 1975 then back to a slimmer, straighter and tapered leg in 1977 with the onset of a punk-inspired vibe.

By 1978 and the wave of disco jeans got darker and tighter, Fiorucci’s Buffalo 70s jeans and also Sasson jeans’ super slim in the leg dark denim became very popular.

Then the end of the decade (the 70s) came to symbolise a fresh, new, wholesome all-American sexuality as seen in the likes of Farah Fawcett and Lauren Hutton of Charlie’s Angels, and soon to follow, as reflected in the iconic (barely there) cut off shorts look of Catherine Bach in the Dukes of Hazard (1979).

By the end of the ‘70s denim no longer belonged to just one cultural or political persuasion. Whenever the country music star Merle Haggard criticised Hippies in his conservative anthem “Okie from Muskogee” you bet he was wearing denim.

From the end of the ‘70s denim had become more or less ubiquitous, and also an established symbol of Americanism.

Bruce Springsteen wears jeans, a t-shirt and a baseball cap again a backdrop of the American flag, on the cover for his no.1 hit single, “Born in the USA”.

Thereafter blue jeans also ranked high on the list of US cultural exports. In November 1978 Levi Strauss & Co began selling their first large scale shipments of jeans behind the Iron Curtain, where the previously hard to obtain trousers had become a mark of status and liberation. East Berliners were lining up in the hoards to snag them up.

Lauren Hutton poses in a denim skirt, 1970s

 

Upcycled denim skirt, 1970s

Patch pocket denim skirt, 1970s

 

Upcycled denim skirts, 1970s

Sunflower embroidered denim dress, 1970s

 

70s mini skirts - denim and gingham. 1970s

Skirts in fashion, including one in denim. 1970s

 

Sears Ad. 1976

Vintage denim skirt, 1970s

 

Vintage denim skirt, 1970s

Vintage patchwork repair denim skirt, 1970s

 

Vintage denim skirt, raw hem. 1970s

Tie dye vintage denim skirt, 1970s

 

Vintage upcycled patchwork repair denim skirt, 1970s

Hand embroidered vintage denim skirt, 1970s

 

Denim dress, 1970s

__________

The silhouettes started to get more varied too, from the looser fitting flares of 1969 to more fitted in the waist but also lower rise in the ‘70s -

with an infusion of the psychedelic vibe -

flowing out into bell-bottoms in ’72

to the elephant bells of 1975

then back to a slimmer, straighter and tapered leg in 1977 with the onset of a punk-inspired vibe.

Low-rise hip hugging flares, 1970

 

Fashion flares, 1970

Jane Birkin in patchwork repair denim flares, 1970

 

Jane Birkin in patchwork repair denim flares, 1970

Bell bottoms and cuffed straight leg denim, 1972

 

Bell bottoms, 1972

Bell bottoms, both mens and ladies. 1972

 

Jane Birkin in exposed button-fly bell bottoms, with Serge Gainsbourg. 1974

Customised patchwork denim flares, 1970

 

Psychedelic style jeans, 1970

 

Brooklyn 1970s psychedelic hand embroidered jeans

Brooklyn 1970s psychedelic hand embroidered jeans

 

Brooklyn 1970s psychedelic hand embroidered jeans

 

Psychedelic, 70s style

The Beatles, 1970

 

The Beatles, 1970

Bob Marley, 1975

 

Girls in bell-bottoms, 1974

Girl in “Peachy” graphic tee and elephant bells, circa 1975

 

Girls at the grocery store in elephant bells, 1975

Jane Birkin in bell-bottoms, 1975

 

Jane Birkin in wide leg jeans, 1976

 

Patchwork embellished jeans with hem destruct, 1976

Novelty flared button-down-seam jeans, 1976

 

J.C. Penny ad for wide leg denim and denim short-alls, 1976

Sears Roebuck ad for men’s wide leg jeans, 1977

 
 

Wrangler jeans ad, 1978

Editorial on Levi’s coloured denim bib overalls in yellow, white and red. 1977

 

Lee jeans ad, 1978

 

The Rolling Stones, Sticky Fingers album cover (1971)

Jane Birkin and Serge Gainsbourg in tapered leg, 1978

 

Tapered leg (skinny) jeans and high boots, 1978

Wide leg super flares, 1978

 

Abba in wide leg and flares, 1978

 

Editorial from Circus Weekly on Levi’s straight leg jeans, and something reminiscent of the Rolling Stones Sticky Fingers album cover, and barely there shorts. 1978

Barely there shorts and cuffed straight leg jeans, 1978

 

Bob Marley in straight leg, 1978

Blondie, 1978

 

Boy and girl in wide leg elephant bells, at the disco. 1978

__________

__________

site edited by Sheel Khemka BA (OXON)

© 2022.